dinsdag 6 maart 2018

Friday 16 March: VROOOM #58

Friday 16 March 2018


–– ZO-ON SLOWS (cn)
–– JOKER NIES (de)

location: Pink Pank – Delftsestraat 9, Rotterdam
doors: 20:30 end: 00:00 / entrance: 7 euro (cash only)

Vrooom #58: daring music and improvisation with Zo-on Slows, "electro-sapiens" Joker Nies, audio-visualist Matsumoto Mitsuaki, and Roffa's Niek Hilkman. Last-mentioned will present his 'Waterworks ii'; an exploration of the principles of sonic fluidity, based on the strict concepts of extratonal composition.

Zo-on Slows aka Echo Ho, is a Beijing-born, Cologne-based artist, producer, composer and audio-visual performer. Ho spend years exploring the field of electronic improv and live composition. She reinvented the traditional Chinese string instrument Gu Qin as the "Slow Qin" by extending its function to a wireless interface, enabling real-time improvisation using customised music software. Her textured music is inspired by both historically informed performance and nightclub sounds. She releases on the Cologne-based label Baumusik.

Joker Nies is a Cologne-based musician, sound-designer and recording-engineer. He is also a photographer and technical editor for the German Sound&Recording and Keyboards magazines. Since the 80s Nies experiments with all kinds of hardware and software-based sound sources. During the early 90s, modifying the Omnichord instrument became his initiation to what is now commonly known as circuit-bending. Nies taylors his instruments to his needs and creates electronic devices with a broad range of sounds, that he plays with great expression and musical gesture. His latest development is a modulation-matrix and a body-contact „keyboard“ for the Buchla Music Easel.

NIEK HILKMANN (nl) - Waterworks ii
Niek Hilkmann is a twenty-first century polymath with a background in art history, media design, musicology and natural history. Within his work he focuses on the grey areas between (uncontrollable, or unexplainable) human behavior and the dry, often pseudo-scientific methods that try to justify, or explain them. He conducted an amateur avant-garde orchestra (playing pieces of Xenakis and Steve Reich), created a one hundred meter long moving panorama (the "Panorama Ineptum"), constructed the Universal Notation Ideal (UNI) system and curated events such as "Will VHS Save The Universe?" and "Floppy Totaal”.

Matsumoto Mitsuaki is a "audio-visualist", composer and scenographer. He tries to create something of "a sensory space" with different means, and in different contexts, using a bandoneon, a prepared sitar or a prepared japanese pipa – from acoustic to electric, from analog to digital. Matsumoto is a sound performer in different contexts, including choreagraphy. He collaborated with Jaap Blonk, Mihael Thieke, Pierre Bastien, Hans Koch, Gaudenz Badrutt, Yasumune Morishige, and others. In Kagoshima he organizes "Croisements Kagoshima", a series of concerts for new music.


This event is made possible with kind support of Popunie Rotterdam.